features in: Album Chart of 1977 ● Album Chart of the Decade: 1970s |

Following a slew of singles for Cambridge Matiwane at Satbel in the preceding few years, Mahlathini and The Queens were on the move again in 1977, joining with producer Piet Ntuli (despite the fact he had been a slippery character in past dealings) at EMI, with the recordings being issued on the Yashingoma imprint. Their split from Rupert Bopape some five years earlier turned out to have a silver lining of sorts; fans of South African jive could now enjoy the output from both of the rival camps of the Mahotella Queens (often with groaner Mbazo) and The Queens (often with groaner Mahlathini). The output from the latter pairing in ’77 was incredible, with enough material for at least two known LPs, “Wavutha Umlilo” (billed to Mahalthini and The Queens) and this self-titled set, a compilation which rounded up 12 single sides, all of which were recorded and issued in 1977. Talk about a hit factory! On this set, The Queens are: Mildred Mangxola (writes 2), Isabel Maseko (writes 1), Agnes Mhlauli (writes 2), Thoko Nontsontwa (writes 1), Belinda Sithole (writes 1) and Paulina Zulu. Alas, we are missing one on the LP cover, what a shame.
There’s some truly fantastic material here – the album is at its best when it gets down to hard-and-fast, no-nonsense mbaqanga business, and those Queens just do their glorious thing, harmonizing with great imagination and sweetness. Predictably, the deviations into western soul fail to impress half as much, and there are four such numbers peppered throughout. The melodic and fast-paced “Ikhubalo” (“Magic”), penned by Mildred, is an early favourite, and this sets off an exhilarating run which includes “Uzenzile” (penned by and featuring the great Mahlathini who almost breaks into a Swiss yodel!), and the classic “Keba Bone” which completely delights my soul with that spongy rhythm which just gets me bouncing every time, no matter whether I’m seated or standing. Everything comes together perfectly here – guitars, bass, drums and harmonies, it’s quite the thriller. I hate to be bigging up Mahlathini on a Queens LP, but a special mention must be made of another of his compositions, “Sukuma Ndoda”, which fires up side 2 towards the end of the set, although the groaner himself is conspicuous by his absence in the performance. In my final analysis, the Queens ‘cede to the Mahotella Queens in the great LP battle of the year, but they put up a great fight. If I were a South African music fan in ’77 I’d have been very much looking forward to the ongoing tussle for supremacy…
The Jukebox Rebel
19–Oct–2014
Tracklist |
A1 | [02:36] ![]() |
A2 | [02:30] ![]() |
A3 | [02:58] ![]() |
A4 | [02:45] ![]() |
A5 | [02:42] ![]() |
A6 | [02:35] ![]() |
B1 | [02:40] ![]() |
B2 | [02:44] ![]() |
B3 | [02:43] ![]() |
B4 | [02:51] ![]() |
B5 | [02:37] ![]() |
B6 | [02:18] ![]() |