features in: Album Chart of 1982 → ● Album Chart of the Decade: 1980s → ● 1001 Albums You Must Hear Before You Die ![]() |

The fourth annual long-player from the super seven arrived timeously in November, 1982. They remain: Graham McPherson (lead vocals); Mike Barson (keyboards, harmonica, piano); Chris Foreman (guitars); Lee Thompson (saxophones); Daniel Woodgate (drums); Mark Bedford (bass guitar, double bass) and Cathal Smyth (backing vocals, trumpet). Great songwriting is permanently on show here, especially impressive since it's spread across all members, initially each having been invited to contribute “reflections of yesterday” i.e. to look back to their childhood for song inspiration, a theme which didn't quite make it all the way, some members simply being uncontrollable. (Looking at you Mnsr. Barso).
All the lineage comparisons with Village-Green-era Kinks are entirely on-the-money, in so much that both deliver thoughtful pop, evocative lyrics and a sound which is quintessentially English. “Rise And Fall” serves as an excellent opener and sets the lyrical tone: “We used to live where children play, They leave their homes a mile away, To come and stand in trees and grass, Where we once walked the memories last”. You can just hear the old dears in the streets of '82: 'You couldn't do that now Ethel, oh no'. The much talked about “Blue Skinned Beast” brings the conversation within the contemporary realm, (subtly) comparing Thatcher's war regime to an animal: “three cheers to the blue skinned beast… hip hip”. Ooft. For my money, “Primrose Hill” is the album's outstanding classic, with pianos, xylophones, brass bands and saxophones coming and going as the song marches up to the top of the hill and marches down again.
The appealing tale of every family on every street in “Our House”, released as a single one week after the album, kept the group's profile Top of the Pops and even rewarded them with a surprise Top 10 stateside hit. Daft-as-a-brush Barso delivered “New Dehli”, a fantastic slice of psuedo-desi pop which, I'd like to think, went down well in that community. That said, who could blame them if they were to rip the piss for the inanity of that turban-wearing snake-charmer on the front-cover? They'll always be a bit nutty, and for that be thankful. Rounding off the classy musical affair, “Madness (Is All In The Mind)” recalls “Razor Blade Alley” for a finger-clicking jazzy finale, sung by the none-more-nutty Chas Smash.
One glance at April's “Complete Madness” greatest hits package would convince many that Madness were primarily a singles band. The consistency and cohesion of “The Rise And Fall” rallies against that commonly held view; this album is a game changer, and the group continues to evolve organically and brilliantly.
The Jukebox Rebel
30–Jun–2007
Tracklist |
A1 | [03:16] ![]() |
A2 | [03:10] ![]() |
A3 | [03:22] ![]() |
A4 | [03:36] ![]() |
A5 | [02:59] ![]() |
A6 | [04:01] ![]() |
B1 | [03:23] ![]() |
B2 | [03:29] ![]() |
B3 | [03:40] ![]() |
B4 | [03:39] ![]() |
B5 | [02:19] ![]() |
B6 | [03:17] ![]() |
B7 | [02:54] ![]() |